“How Does a Moment Last Forever” Cover on Steinway B #231416
Piano Technician/Pianist Philip Balke performs ‘How Does a Moment Last Forever’ from the live action Disney film, ‘Beauty & The Beast’. Written by Tim Rice and Alan Menken. Performed on restored Steinway & Sons Model B Grand Piano #231416. This piano originally built in 1925 during the height of the piano industry’s golden age. Recorded at the Chupp’s Piano Showroom in Goshen, Indiana, video production by Benjamin Rogers.
Rare Grand Pianos Restored by Chupp’s Piano Service for Carolyn Ripp
Chupp’s Piano Service recently fully rebuilt two rare grand pianos for Carolyn Ripp, a pianist here in Indiana. The first piano we rebuilt for her was a stunning Steinway & Sons Model AR grand piano in an African Flame Mahogany cabinet. This piano was originally a player instrument, built around the legendary Steinway A-3 scale design. The second was a powerful Everett 9′ Concert Grand Piano. An incredibly rare instrument, this 9′ concert grand boasts an incredible quality of tone and touch. Built during the company’s early days in Boston, this is one of only a handful of these pianos still in existence. Carolyn was kind enough to send in the following letter of recommendation regarding our piano restoration work.
Dear Dennis and the Entire Chupp’s Team,
I am seriously failing for words to describe the beauty of the two pianos you restored for me. The Steinway came first and its remarkable restoration was breathtaking. Then the unusual Everett came and we could hardly believe the volume of sound that it produces. Now I am enjoying picking the piano that will render the music at it’s finest. Every key plays perfectly, every sound is rich.
Now that both are together again, I appreciate these instruments more than ever before. I always knew they were both special, but to play them now, it is just a decadent experience. Even my tuner said that when he presses a key to tune, that it is so beautiful, he feels like he is “playing” these pianos and enjoys every sound! It really shows how much your staff really appreciates and cares for the pianos that come their way. Every step of the process of achieving this remarkable result has only added to the whole, wonderful experience. BRAVO!! I have played many fine instruments of rare value, but I couldn’t want anything more. This IS the most exciting time of my life. Thank you!
“Wicked” Piano Cover on Steinway M #227953
Piano Technician/Pianist Philip Balke performs ‘I’m Not That Girl’ from the beloved Broadway musical, ‘Wicked’. Written by Stephen Schwartz, originally recorded by Idina Menzel (original song) and Kristin Chenoweth (reprise). Performed on restored Steinway & Sons Model M Grand Piano #227953. Recorded at the Chupp’s Piano Showroom in Goshen, Indiana, video production by Benjamin Rogers.
Teflon Bushings in Steinway Pianos– The Failed Experiment
If there was one quality that marked the early days of Steinway & Sons, it was the family company’s inherent desire to invent, tweak and improve the quality of their pianos. This led to famous innovations and improvements to grand piano design that continues to be standard a century later. Almost all of the company’s patents were filed during these first years. The study of the lineage of the modern grand piano is a fascinating one, filled with stories of both success and failure. The ‘Teflon Era’ will forever remain an infamous time for Steinway & Sons, but one that forced the industry to adapt around new ideas and parts.
Increased Competition – Attempted Innovation
During the early 1960s, work began on another project that company leadership hoped would again boost the company’s reputation as a world leading instrument. Continued pressure from less expensive yet high-quality pianos from Japanese makers like Yamaha and Kawai began to push Steinway from their position as the North American piano king. (This battle between the ‘east and the west’ wages on even today. ) A number of their major American competitors were either long gone or in decline. A document provided to Chupp’s Piano Service proves interesting. In a letter dated April 6th, 1979 to the late Ed Hendricks, a former Vice President of Marketing and owner of Hendricks’ Pianos in Chicago,….
Over the years, countless musicians have made the piano their primary musical instrument. Companies have fought tooth and nail to win the hearts (and wallets) of artists around the world. Today’s big players in the concert market include Steinway & Sons, Kawai, Yamaha and Fazioli continues to make inroads. Over the years, there have been many other companies who have made fine concert instruments that continue to be cherished by pianists. Click to view an infographic highlighting just a few of the artists who continue to make the piano come alive and learn what pianos they prefer to use on the concert stage.
Vintage Art Case Grand Pianos – Video Demos
The piano has long been a striking combination between its function as a musical instrument and as a piece of visual art. This was especially true during the early ‘golden era’ of the piano manufacturing industry. Steinway & Sons was among the many companies battling for supremacy during these competitive years. Experienced craftsmen combined with easy access to the finest woods and other materials resulted in some of the finest playing – and looking pianos ever crafted. Although today’s new Steinways are rarely seen outside of their ‘traditional’ more modern design, expert restoration work allows musicians and appreciators of fine art the chance to experience the characteristics that have made vintage art case pianos so treasured. Below are several videos we have produced highlighting the work of the craftsmen and technicians here at Chupp’s Piano Service, Inc.
Steinway & Sons Model A-3 Grand Piano #188826 – Quarter Sawn Oak, Sketch 380 Cabinet.
Covered in a beautiful Quarter Sawn Oak veneer, this rare Steinway was built in 1917. Fully rebuilt by us this piano features a new solid spruce soundboard, new hard rock maple pinblock, a fully rebuilt action and much more. Quarter Sawn Oak was rarely utilized on Steinway grand pianos. This instrument is currently featured at our Goshen, IN. Piano Showroom alongside a number of other ‘Crown Jewel’ style grand pianos.
Question: “It seems like I see Steinway pianos on stage all of the time. Why has Steinway & Sons dominated the concert market?”
Although Steinway & Sons Concert Grand Pianos currently rule almost all of today’s concert stages throughout the world, it wasn’t always this way. Even today, competitors fight hard to place their pianos on performance stages. With over 90% of concert pianists performing today on Steinway pianos, it is easy to forget that this company was once a small upstart fighting for their position within the massive North American piano market.
The Marketing | Steinway’s Prowess
Steinway & Sons has mastered the art of marketing. That is not to say they have not or do not continue to make quality products. Rather, they were the piano company who mastered both the art of piano building and the cut-throat world of advertising. During their early history, there were numerous high-end piano makers all competing for the ever growing piano market. Names such as Chickering, Knabe, Weber, Mason & Hamlin and Steinway were in an ever ongoing battle to become THE best in the industry. William Steinway, Henry E. Steinway’s son gets much of the credit for Steinway & Sons’ business and marketing prowess. Having high caliber pianists choose your piano over others was seen as being highly prestigious and influential. Thus, the Steinway Artists program was birthed coupled with the company’s bank of concert instruments.
Three Main Steps of Steinway Grand Piano Restoration
The art of piano restoration is more than simply swapping parts. The definition of rebuilt (amount of work actually done on the piano and the associated quality) varies a lot in the industry. Premium brands like Steinway and Mason & Hamlin are among the pianos most likely to warrant an extensive restoration. This infographic touches on some of the basics that go into a full, Steinway piano restoration. Scroll through the handy infographic to learn more about the rich history and work that goes into the restoration of vintage pianos. [Click the infographic to expand.]
Steinway Model D Grand Piano #52626 | A Beautiful Past For A Beautiful Piano
There’s an old saying, “If these walls could talk, they’d tell you a story or two.” A concert grand piano from Steinway & Sons will last for generations and over time they accumulate a rich and beautiful history. As one of the greatest piano manufacturers in the world, Steinway pianos are used in venues and by musicians across the globe. Over time, these pianos will see their fair share of usage, and pass through many hands. At Chupp’s Piano Service, we specialize in restoring these beautiful pianos back to playing perfection, and today, we want to shine a little spotlight on a beautiful piano that we are proud to feature – Steinway Model D Grand Piano #52626.
The Origin of the Modern Concert Grand
In 1884, a major step forward occurred in the development of the mature concert grand piano- the Model D. The then new Model D was designed and created by incredibly talented craftsman C.F. Theodore Steinway. This new design was the first Steinway Grand to feature a double cupola plate. It featured a 20 note bass section, was overstrung, had a continuous soundboard bridge, and a bent rim case construction. These pianos featured agraffes from notes 1-35 and a capo d’astro bar from notes 36-88. Measuring 8’10” in length with 7 ¼ octaves, these pianos are an essential piece of the piano development puzzle.
“Style D has an entirely new interior construction with double cupola steel frame and continuous ring bridge. The improvement in power and sonority of tone is simply marvelous.” – William Steinway, September 1, 1884.
Refinished vs. Refurbished vs. Restored Pianos | What’s the Difference?
Question: “I am looking to purchase a piano. As I’ve gone through various websites I’ve noticed the terms ‘restored’, ‘refurbished’ and ‘refinished.’ What is the difference between these terms?”
With numerous individuals and businesses within the worldwide piano industry, the terms ‘restored’ or ‘refurbished’ gets thrown around quite a bit. This can lead to a bit of confusion over the actual condition of the piano in question and what each term actually means. We can’t speak for other businesses or piano technicians, however below you will find the definitions we use for these various terms.
Cosmetic Restoration: The refinishing of a piano is purely cosmetic. This is done to refresh the instrument and return a like new look and feel to the exterior of the piano cabinet. When we refinish a piano we utilize the finest materials and workmanship to ensure a premium, like new finish. We utilize closed pore, hand rubbed lacquer finishes over the quicker sprayed-only method. This ensures a finish with optimum clarity and one that is more easily repairable in the future.
[Read more about the piano refinishing process.]
Refinishing the piano cabinet is a normal part of our extensive piano restoration process. We may also refinish a piano that is in very good mechanical and interior condition but needs to be cosmetically refreshed to make it retail ready. Often refinishing will also be coupled with the refurbishing of a piano. Although it does not affect the actual mechanical function of the piano, obviously aesthetics count toward your overall enjoyment and the value of the piano.
Top 3 Reasons Why You Should Purchase a Restored Steinway Grand Piano
Question: “I have read a lot about vintage Steinways vs. new. Why should I consider purchasing a restored Steinway over a new one?”
Here at Chupp’s Pianos, we often receive questions related to the differences between new and restored Steinway & Sons Pianos. After talking to our clients about the benefits and drawbacks of each type of piano, these conversations often lead up to the ultimate question: “Should I buy a new Steinway, or a vintage restored Steinway piano?”
At the end of the day, we often find that finding a second home to a restored piano is the best way to go. Restored pianos are excellent musical investments that are often superior to brand new pianos. The workmanship during the ‘golden era’ of piano manufacturing was truly standard setting. Below you’ll find the top 3 reasons considering a restored Steinway & Sons piano might be in your best interest over a new one.
Kevin Vietmeier On His Golden Era Restored Steinway
Recently we were able to fully restore a golden era Steinway & Sons Model M Grand Piano for pianist Kevin Vietmeier. We were all very pleased with the tone and touch of the finished instrument. He was kind enough to leave a five star Google Review for us which we have reprinted below.
“After searching for a grand piano in Pennsylvania and Ohio (including official Steinway stores), I stumbled across Chupp’s and drove out to play a Model M they had on sale. The owner, Dennis, was extremely patient and walked me through his restoration facility explaining the entire process of restoring a vintage Steinway. After playing some of their fully restored pianos, I was greatly impressed and decided to purchase a 1923 Model M and have them do a complete restoration.
Dennis and Tim were both upfront and honest with me throughout the entire process, and in the end I got a beautifully restored Steinway with the gorgeous tone I was expecting and unfortunately not hearing when playing brand new Steinways at other stores. I have had two technicians play the piano, and both were astounded at the excellent workmanship put into this instrument.
A Look At The Steinway Piano Rebuilding Process
A little over a year ago we released the short documentary “The Garage Piano: The Story of a Steinway.” Since then it has been viewed well over 10,000 times on Facebook and YouTube. This production details just some of the extensive work that goes into each one of our fully rebuilt Steinway pianos. If you haven’t seen it yet, be sure to take the time to learn a bit more about the piano rebuilding process.
This is the story of the restoration of a Steinway & Sons Grand Piano. This instrument was left alone and neglected in a garage for over 20 years. This short documentary follows the rebuilding process and tells the story of the piano’s full restoration and rebirth. From cosmetic details like replacing the keytops to extensively restoring the piano action and refinishing the satin ebony cabinet, this piano documentary shows the work that goes into returning a vintage New York Steinway to its former glory. The art of piano rebuilding is truly art you can feel!
The Origin and History of the Steinway Model C Grand Piano
The Steinway Model B measures 6’11” in length while the Model D is 8’11”. But what about the piano that comes in between these two? The Steinway & Sons Model C Semi-Concert Grand Piano is an instrument that is often forgotten about – at least by some of us here in North America. Here is a quick history of the lineage of the Semi-Concert Model C.
The Steinway Model C’s Origin
The 7’2” Steinway and Sons Model C was first manufactured in 1878 with Steinway #38675 being the first in the series to be completed on 8/24/1878. These seven-octave, 85-note pianos were based upon the earlier Parlor Grands built by Steinway. The Model C, 85-note piano was also known as the Style 3 in catalogues. The scale design featured a 21 note bass section and was redesigned from the earlier parlor grand piano by C.F. Theodore Steinway. The Model C was introduced during a time of advancement for the Steinway Company. The early Model C was first produced with a sectional case design, and in 1880 production of Model Cs with a more modern style bent-rim case began. The 85-note Model C/Style 3 was in production until 1886.
Stephen Baker of Bethany Lutheran Church Selects Steinway Concert Grand
Recently Chupp’s Piano Service provided Bethany Lutheran Church of Spencer, Iowa with a pre-owned Steinway Model D 9′ Concert Grand Piano. Music Director Stephen Baker was kind enough to send in the following testimonial.
I searched all over the Midwest looking for a used concert grand for our church, and after playing dozens of pianos in Minneapolis, Iowa, and Michigan, I didn’t find a better piano or a better value than at Chupp’s in Indiana.
When the piano arrived, the word spread throughout town and people were so excited that a couple dozen people showed up just to watch the piano get unloaded and installed in the sanctuary. People who had never seen a 9′ Steinway were actually moved to tears at just the sight of it!